The subsequent events were initiated by Tatyana Margolina, the human rights ombudswoman for Perm Territory, Vladimir Lukin, the RF human rights ombudsman and the RF President’s Councilor, and Mikhail Fedotov, the Chairman of the RF President’s Council for Civil Society Development and Human Rights personally addressing Vladimir Putin, the RF President.
After these addresses, Vladimir Putin ordered Vyacheslav Volodin, the First Deputy Head of his Executive Office and offered Vladimir Lukin to deal with the issue. Vyacheslav Volodin held a meeting involving leading Russian human rights activists of the Administration of the Governor of Perm Territory then offered cooperation to Perm-36 Memorial Center’s management.
As a result, the museum’s development was decided to be returned to joint format involving the Memorial Center and the PI while changing the PI management. It was also decided to establish the Council for Development of Perm-36 Memorial Museum of History of Political Repression.
The Council comprised representatives of the Memorial Center and those of the authorities of Perm Territory on a par including a representative of Volga Federal District. Vladimir Lukin was elected Chairman of the Council as proposed by Vyacheslav Volodin.
Discussion of the Council’s draft charter documents failed to bring about a consensual decision at the Council’s first meeting in October, 2014 so acceptance of the documents was postponed.
After that, the Council never met again.
HISTORY OF THE MUSEUM
The Destruction of the Memorial Museum of the Political Repressions History “Perm-36”
In early 2012, Perm-36 Memorial Museum of History of Political Repression was at the peak of its development and was to make grade by becoming a federal-level, internationally well-known memorial museum complex in the years to come.
In the meantime, the RF Presidential Executive Office aimed to eradicate the few democratic institutions which had taken hold in the country, to muzzle the newly emerging civil society, to suppress significant civil initiatives. Perm-36 Memorial Museum of History of Political Repression became one of the first victims of this campaign.
Shortly after the elected Governor of Perm Territory was replaced in 2012 with a new, Kremlin-appointed one, the new regional authorities registered an autonomous cultural establishment, the ‘Memorial Complex of Political Repression’, and handed over the former Perm-36 camp’s buildings and structures to it in 2014. On the tip from the new authorities of the Ministry of Culture for Perm Territory, the ‘public’ staff took over the entire property of Perm-36 Memorial Museum of History of Political Repression Autonomous Non-for-Profit Organization which forfeited the museum, the collection, archives, library, exhibits and exhibitions on the museum’s premises. The public agency hired former camp officers as new advisers.
Actual liquidation of the museum of history of political repression cased a barrage of Russian and foreign press publications, with system-level human rights activists directly addressing Vladimir Putin, the RF President. As a result, the authorities initiated several rounds of negotiations with the Board of Perm-36 ANO but these turned out to be nothing other than mere soldiering.
In early 2012, Perm-36 Memorial Museum of History of Political Repression was at the peak of its development and was to make grade by becoming a federal-level, internationally well-known memorial museum complex in the years to come.
In the meantime, the RF Presidential Executive Office aimed to eradicate the few democratic institutions which had taken hold in the country, to muzzle the newly emerging civil society, to suppress significant civil initiatives. Perm-36 Memorial Museum of History of Political Repression became one of the first victims of this campaign.
Shortly after the elected Governor of Perm Territory was replaced in 2012 with a new, Kremlin-appointed one, the new regional authorities registered an autonomous cultural establishment, the ‘Memorial Complex of Political Repression’, and handed over the former Perm-36 camp’s buildings and structures to it in 2014. On the tip from the new authorities of the Ministry of Culture for Perm Territory, the ‘public’ staff took over the entire property of Perm-36 Memorial Museum of History of Political Repression Autonomous Non-for-Profit Organization which forfeited the museum, the collection, archives, library, exhibits and exhibitions on the museum’s premises. The public agency hired former camp officers as new advisers.
Actual liquidation of the museum of history of political repression cased a barrage of Russian and foreign press publications, with system-level human rights activists directly addressing Vladimir Putin, the RF President. As a result, the authorities initiated several rounds of negotiations with the Board of Perm-36 ANO but these turned out to be nothing other than mere soldiering.
Perm-36 Memorial Museum of History of Political Repression only came into its own due to a vast circle of assistants, partners, friend and mere sympathizers, and continuous, until 1992, support from the authorities of Perm Territory.
The first head of Perm Territory, Boris Kuznetsov supported establishment and functioning of Ural-GULAG, an independent research information center which studied the history of repression and political camps in Perm territory for two yearsт, prepared a conservation/restoration program for the former Perm-36 camp, and established the Memorial Museum of History of Political Repression there.
As the museum evolved, an unmatched public-private partnership came into being.
In 1994, when the first museum-building entity, Perm-36 Memorial Museum of History of Political Repression Limited Liability Company (LLC) was registered, the Administration of Perm Region, along with Perm Division of Memorial, became its founder, on personal order from the Governor, Gennady Igumnov.
In 2001, when the LLC was restructured into Perm-36 Memorial Museum of History of Political Repression Autonomous Non-for-Profit Organization (ANO), the Administration of Perm Territory once again became its cofounder on order from the Governor, Yuri Trutnev.
Oleg Chirkunov’s initiatives as the Governor aimed to get the museum go all-new and global.
Within the partnership, the Government of Perm Territory kept on owning the former cap’s entire immovable property thus being able to co-finance the restoration and current maintenance of the museum from the regional budget while the ANO raised extrabudgetary funds for research/collecting activities, creation of exhibits and exhibitions, design arrangement.
Establishment and development of the museum was greatly contributed to by its core group: the Museum’s Council and Board comprised A.I. Solzhenitsyn, V.P. Astafyev, A.I. Ginzburg, S.A. Kovalyov, L.M. Timofeyev, A.K. Simonov, A.B. Roginsky, A.Yu. Daniel, hundreds and hundreds of the museum’s friends helped it a lot by putting their talents, energy and souls into it.
Back in the first ten years, Perm-36 Memorial Center of History of Political Repression partnered with Ralph Appelbaum Associates (RAA), one of the world’s leading museum design companies which created over two hundred museums across the world. The founder and president of RAA, Ralph Appelbaum regards the Holocaust, nuclear bombardment of Japan and GULAG as humankind’s greatest disasters, his company built several Holocaust museums and museums exhibits, including the world-famous Holocaust Memorial Museum in Washington, the Peace Museum in Hiroshima dedicated to nuclear bombardment of that city, the Memorial Prison Museum in Robben Island in Capetown, and was very eager to create a GULAG museum.
Several meetings between the Memorial Center’s staff and the RAA representatives resulted in a draft concept of further museumization of the former Perm-36 camp and establishment of the GULAG museum which was submitted to the regional governor, Oleg Chirkunov by representatives of RAA and Perm-36 Memorial Center in 2011 году. The Governor approved it, and decided the new stage of negotiations for discussing the design proposal and signing the design contract to be held in May, 2012.
RAA designed such a proposal. The project provided for the exhibits to be designed stage by stage and built within five years. Arseny Roginsky, the President of Memorial International Society and Anne Applebaum who won a Pulitzer Prize for the ‘GULAG’ book agreed to act as academic advisers for the project, Ralph Appelbaum, the RAA President as the supervisor.
In early May, 2012, the Governor was replaced so the Memorial Center agreed on the new negotiation date with the new Governor via his assistant. However, when the RAA team headed by the company’s Vice President, Ralph Appelbaum and Perm-36 Memorial Center’s managers arrived to the negotiations at the set time, the Governor refused the meeting, and told via his secretary that this topic is ‘off the table’ to him.
The guard barracks of Perm-36 camp the Memorial Museum received in 2011 were to be restructured into the museum’s project center comprising hotel facilities, a boardroom and classrooms. Thus it could be used to hold European-level workshops and schools involving leading Russian and European experts and specialists in civil society development, local governance, journalism, as well as to arrange vocational training of teachers of history and museum staff in the most challenging aspects of the country’s XX-cent. history, etc.
Yelena Nemirovskaya, the founder and director of the Moscow School of Political Studies guided its specialists as they began developing content, curricula and syllabi in four fields: ‘Civil Organizations and Civil Activists’, ‘Local parliaments’, ‘Local Governments’, ‘MM and Civil Society’ for the museum.
Other premises the museum received in 2011 were to be converted into a service center and extra showrooms.
INTERNATIONAL COALITION OF SITES OF CONSCIENCE
In 1999, the Perm 36 Memorial Museum of the History of Political Repression, together with the Lower Manhattan Tenant Museum, the British Workhouse Museum, the Czech Terezin Ghetto Museum, the Senegal Slave House Museum, the South African Cape Town Sixth Ward Museum, the Bangladesh Liberation War Museum, and the Argentine Junta Memorial Museum Project established the International Coalition of Sites of Conscience.
The coalition now includes more than 300 museums from 65 countries. All of these museums are generally associated with sites of national humanitarian catastrophes, but some, like the M. L. King House Museum and the E. and F. D. Roosevelt Estate Museum, are associated with powerful humanitarian breakthroughs.
The Perm 36 Memorial Centre for the History of Political Repression was the founder and director of the Russian Network of the International Coalition of Museums of Conscience, provided legal and methodological assistance to museums of the network, for seven years, organized trainings for their staff at the Summer School of Museum Studies, and found financial support and partners through the directorate of the Coalition.
One of the museum’s last popular projects was to unite tragic sites of adverse human experience, humanitarian crises with high world culture. In 2010, Michael Hunt, a UK stage director, and the orchestra and the company of Perm P.I. Tchaikovsky Academic Opera and Ballet Theater staged ;Fidelio’ an opera by L. Beethoven at the Memorial Museum, the former Perm-36 camp.
This experience underlay a new international project: In 2012 and 2013, meetings with staffs of museums, former Nazi camps: Bergen-Belsen, Auschwitz-Birkenau, Dachau, Buchenwald and Ravensbruck were held in Perm-36 museum, to develop the cooperation program. The project of staging ‘The Emperor of Atlantis’ by V. Ullmann at the Terezin Ghetto museum was started; the opera was written and prepared for the premiere in that ghetto nut never premiered because the musicians and the actors were sent to Auschwitz death camp.
The Sawmill Forum Debate Club mostly took place within the Forum but still quickly gained its own significance. Discussions, meetings and debates were held and lectured delivered continuously for two days of the Forum in several debating pavilions.
The club included leading Russian civil activists, former dissidents and prisoners, historians, sociologists and economists, political theorists and leaders who debated publicly on the most topical issues of social and political situation and development of today’s Russia, and analyzed Russian and global civil activity experience.
The Sawmill Debate Club kept on in the special ‘Sawmill–Continuation’ program all year round: once a month, the permanent club members met their audience, debated, reflected, answered questions, familiarized the audience with crucial civil practices at various outlets in Perm.
The School of Museology appeared in the museum virtually at the same time as the teachers’ workshops. It comprised two components: a two-week summer School of Museology for the Russian Museum Network of the International Coalition of Historic Sites of Conscience and a course of weeklong workshops for museum staffs of Perm Territory.
The Summer School of Museology was headed by Mikhail Gnedovsky, the founder of the Laboratory of Novel Museum Design, the director of the Institute of Cultural Policy, an expert at the Council of Europe, a juror at the ‘Best European Museum of the Year’ Contest, and had leading historians and museum workers form both Russia and abroad for lecturers and experts. Seven project which were started as the school participants’ individual projects, won the contest by Vladimir Potanin’s fund, ‘A Changing Museum in a Changing World’.
Weeklong workshops for museum staff which were started to familiarize municipal museum staff with the best contemporary museum practices, evolved into joint inter-museum projects. In 2010 to 2011, researchers from five museums of the region and from Perm-36 Memorial Museum worked on the ‘Vishera Correctional Camp’ project; as a result, the ‘Vishlag: The Vishera Correctional Camp (1925 through 1934)’ fixed exhibition was set up jointly in 2012 in Perm-36 Memorial Museum.
That same year, the School of Museology started a new joint project, ‘The Civil War in the Urals’, and planned further work on the ‘Vishera Correctional Camp’ project to set up thematic exhibitions in the cities where divisions of this camp existed but the work was interrupted by repression against the Memorial Museum.